EbiNaki
msicism

msicism

patreon


msicism posts

Smoking Causes Coughing (Quentin Dupieux, 2022)

The title Smoking Causes Coughing is a statement of direct causation. Doing this will lead to that. This is ironic, because nothing in Smoki...

View Post

Blue Jean (Georgia Oakley, 2022)

Debut films are hard, and it's often easy to overlook some formal or narrative missteps. Everyone has to start somewhere, and besides, the sheer gumption...

View Post

A Respectable Woman (Bernard Émond, 2023)

Despite a 20-year career, Quebecois director Bernard Émond remains a bit of a mystery even to many of the most hardcore cinephiles. While on some level ...

View Post

The Divide [La Fracture] (Catherine Corsini, 2021)

As incongruous as it may seen, I found myself thinking about the recent films of Adam McKay while watching La Fracture, the latest film from Cat...

View Post

Coconut Head Generation (Alain Kassanda, 2023)

I don't have a lot to say about Coconut Head Generation, an informative but flawed documentary about activism at Nigeria's University of Ibadan....

View Post

Yanagawa (Zhang Lu, 2021)

Back in 2014, when TIFF was still doing its City to City program(me), I covered the entire slate of films that year. The focus was on Seoul, and as often...

View Post

Cruces (Maximilien Luc Proctor, 2023)

BY REQUEST: Florian Weigl

The usual disclaimers apply. Max and I are friends, and have worked together on some writing projects. B...

View Post

Eight Hours Don't Make a Day (Rainer Werner Fassbiner, 1972)

BY REQUEST: Jacopo Fiorancio

Having now watched all five episodes (and indeed, all eight hours) of Eight Hours, I find it...

View Post

Enys Men (Mark Jenkin, 2022)

One benefit of going to commercial cinemas to see movies no one else wants to is that, when a few other people do show up, it can create an unex...

View Post

Knock at the Cabin (M. Night Shyamalan, 2023)

Read the room, Night. This is a terrible time to be making such an incoherent statement about gay parenting, in part because that incoherence can easily ...

View Post

The Lottery (Subscriber's Choice)

This weekend I'll finish Eight Hours Are Not a Day, and hopefully post about it by Monday.

But since it sometimes takes folks a minute to ...

View Post

Leila's Brothers (Saeed Roustaee, 2022)

“Dostoyevsky Iranian style,” reads one positive review of Leila’s Brothers, the third feature film by Saeed Roustaee, and in a way that wr...

View Post

Almost Entirely a Slight Disaster (Umut Subaşı, 2023)

Umut Subaşı’s debut feature is a curious beast. In many regards it is quite accomplished, and displays some very decisive stylistic choices. Basicall...

View Post

The Face of the Jellyfish (Melisa Liebenthal, 2022)

In 2019, Argentinian filmmaker Melisa Liebenthal released a short film called Aquí y Allá (“Here and There”), in which she used Google Ear...

View Post

Astrakan (David Depesseville, 2022)

Astrakan, the debut feature from David Depesseville, is a film that is at once deeply humanist and utterly pitiless. Essentially a character stu...

View Post

A Few Preliminary Words about....

Eight Hours Don't Make a Day (Rainer Werner Fassbinder, 1972)

At this point I've seen the first two of the series' five episodes, ...

View Post

Two Upcoming Reviews

Today I started watching Fassbinder's Eight Hours Are Not a Day, and what do you know? It's about eight hours long. I will report back once I "b...

View Post

A Flower in the Mouth (Éric Baudelaire, 2022)

The more films I see by Éric Baudelaire, the less I understand what he's up to. They all seem so different, from his look at the breakaway republic of A...

View Post

Utama (Alejandro Loayza Grisi, 2022)

BY REQUEST: Gavin Petty

Over the years I've discovered a common trait among many, if not most, debut films. The filmmaker has spen...

View Post

Parafango (Charles Atlas, 1984)

Among the major video artists of the 80s and 90s, Charles Atlas doesn't have the reputation he deserves. This is probably because he works in a very narr...

View Post

There Once Was a Singing Blackbird (Otar Iosseliani, 1970)

BY REQUEST: Kirk Johnson

Well, it was kind of inspiring to see that even at the start of his career, Iosseliani had most of his pr...

View Post

Brother and Sister (Arnaud Desplechin, 2022)

There has been a strong surge of anti-Desplechin sentiment brewing over the past few years. The critical response to his last few films, along with the f...

View Post

in water (Hong Sang-soo, 2023)

Allegedly kept out of the Berlinale competition for being "too weird," in water certainly has the hallmarks of radical new direction, for any fi...

View Post

Laberint Sequences (Blake Williams, 2023)

The usual disclaimers apply. Blake and I are friends, and while I have been a pretty consistent fan of his work, I've done my best to remain quasi-object...

View Post

RANDOM SUBSCRIBER SWEEPSTAKES!

You asked for it, you got it! Using a random number generator, the following three subscribers have been selected for this month's TELL ME WHAT TO WATCH ...

View Post

I'm Thinking....

I have been a bit distracted from watching older movies lately, mostly because of year-end polls. Now I am not sure how to proceed. What do you think? View Post

R.M.N. (Cristian Mungiu, 2022)

The title R.M.N. refers to an M.R.I., whose initials in Romanian are R.M.N. But of course, R.M.N. also seems to signify "Romania," and ...

View Post

Nostalgia (Mario Martone, 2022)

A funny thing happened while I was originally composing this review. I got about a paragraph out, which was pretty much my usual stuff: a bit of backgrou...

View Post

Cairo Conspiracy (Tarik Saleh, 2022)

When Tarik Saleh's Cairo Conspiracy (or Boy From Heaven, as it was called at the time) was announced as a selection for the 2022 Cannes...

View Post

Infinity Pool (Brandon Cronenberg, 2023)

Let's Go Brandon! In terms of evocation of mood, inarticulate menace, and a batshit approach to visuals and sound design, Cronenberg fils has it...

View Post